US Flamethrower Tanks of World War II
Artikelnummer:
OSP-NVG203
OSP-NVG203
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OSPREY
OSPREY
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Softcover 48 Seiten. In englischer Sprache
US Flamethrower Tanks of World War II
New Vanguard 203
The US Army and Marine Corps experimented with a wide range of flame-thrower tanks through World War II in both the European and Pacific theaters. Although the US Army deployment of flame-thrower tanks in the ETO was problematic at best, flamethrowers were much more widely used in the Pacific theater and became ubiquitous by 1945, including an entire Army flamethrower tank battalion on Okinawa in 1945, the largest single use of flamethrower tanks in World War II. This will cover the initial attempts at the use of auxiliary flamethrowers by both the US Army and Marine Corps in 1943, the standardized adoption of the Satan flamethrower tank by the Marines in 1944, the development of main gun flamethrowers by the Marines and US Army based on the POA-CWS designs, and the myriad other types tested in combat including the powerful LVT-4 design using Navy flamethrowers at Peleliu in 1944. Due to the extensive Japanese use of fortifications in the final year of the Pacific war, Flamethrower tanks became one of the most important solutions in American tactics.
Biographical Note:
Steven J Zaloga received his BA in History from Union College and his MA from Columbia University. He has worked as an analyst in the aerospace industry for over two decades, covering missile systems and the international arms trade, and has served with the Institute for Defense Analyses, a federal think tank. He is the author of numerous books on military technology and military history, with an accent on the US Army in World War II as well as Russia and the former Soviet Union.Richard Chasemore finished a four-year course in technical illustration in 1992. Since then he has worked on a huge variety of projects in publishing and advertising, using both traditional and digital media. He has run an airbrush course in St Louis, Missouri, and also written six educational books on digital art. He has spent 10 years working on the best-selling Star Wars Incredible Cross Sections series, which has taken him to Skywalker Ranch in California to work with the Lucasfilm concept artists. He also enjoys music and is a co-founder of Superglider Records.
US Flamethrower Tanks of World War II
New Vanguard 203
The US Army and Marine Corps experimented with a wide range of flame-thrower tanks through World War II in both the European and Pacific theaters. Although the US Army deployment of flame-thrower tanks in the ETO was problematic at best, flamethrowers were much more widely used in the Pacific theater and became ubiquitous by 1945, including an entire Army flamethrower tank battalion on Okinawa in 1945, the largest single use of flamethrower tanks in World War II. This will cover the initial attempts at the use of auxiliary flamethrowers by both the US Army and Marine Corps in 1943, the standardized adoption of the Satan flamethrower tank by the Marines in 1944, the development of main gun flamethrowers by the Marines and US Army based on the POA-CWS designs, and the myriad other types tested in combat including the powerful LVT-4 design using Navy flamethrowers at Peleliu in 1944. Due to the extensive Japanese use of fortifications in the final year of the Pacific war, Flamethrower tanks became one of the most important solutions in American tactics.
Biographical Note:
Steven J Zaloga received his BA in History from Union College and his MA from Columbia University. He has worked as an analyst in the aerospace industry for over two decades, covering missile systems and the international arms trade, and has served with the Institute for Defense Analyses, a federal think tank. He is the author of numerous books on military technology and military history, with an accent on the US Army in World War II as well as Russia and the former Soviet Union.Richard Chasemore finished a four-year course in technical illustration in 1992. Since then he has worked on a huge variety of projects in publishing and advertising, using both traditional and digital media. He has run an airbrush course in St Louis, Missouri, and also written six educational books on digital art. He has spent 10 years working on the best-selling Star Wars Incredible Cross Sections series, which has taken him to Skywalker Ranch in California to work with the Lucasfilm concept artists. He also enjoys music and is a co-founder of Superglider Records.
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